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”El-Oasis”
Bellydance Professional Training
for Dancers & Teachers with Nigma
SECTION I:
Middle Eastern Dance Foundations (64h)
in Jakarta (Indonesia)
21-28 November 2010
Nigma's Bellydance Professional Training for Dancers & Teachers
is a unique Course of its kind with a large & comprehensive structure,
designed to make the Student -Dancer/Teacher- grow
within a well planned program:
SECTION I: MED Foundations (PARTS 1-4; 64h)
SECTIONII: Musical & Choreographical Forms in MED (PARTS 1-12; 168h)
SECTION III: Props in MED (PARTS 1-8: 112h)
It is a fruit of Nigma’s creativity, great choreographical & didactic talents
and many years of reserch & study in Egypt, USA & Spain
with the most outstanding dancers & teachers
of Egypt, Lebanon, Morocco, Turkey, Armenia, USA and Spain.
It is very valuable to all dancers and teachers who, being passionate about Bellydancing, want to delve into the Millenary Art of Bellydancing
in a quality Training.
It targets helping you become a complete & excellent dancer,
enhancing your creativity and intuitive & intellectual abilities as a dancer & teacher.
It contains subjects not found in other Bellydance Courses at all or presenting
some of them in much more extensive range of knowledge & practice, such as:
Special Resourses (to acquire the representative resourses of Arab dancers in their moves, combinations and phrasing), Methodology & Didactics (to improve not only your teaching skills but also the results of your own practice or rehearsals), Biomechanics of Middle Eastern Dance Movement (to understand what the repertoire of representative Bellydance movement is and how it is different from other dances), Middle Eastern Music Principles
(to have knowledge and understanding of the music you attempt to interpret, as -for most of you- it is part of another culture you haven't been born in), Middle Eastern Rhythm study (more extensive than in any other course: larger number of rhythms [43] and more options for their interpretation in dance), Middle Eastern Dance History (to gain perspective on national, regional and individual stylistic differences in Bellydance, and on some events of historical importance, as well as learn to appreciate the value & artistic quality of each presented dancer in a larger context).
IF YOU ARE TIRED OF LEARNING ALWAYS THE SAME THINGS,
while searching for so much more,
AND GETTING JUST A FRAGMENTED VISION OF OUR ART,
which is not enough if you are striving for excellency,
THIS IS A BELLYDANCE TRAINING FOR YOU!
A PIONEER, EXCELLENT QUALITY, COMPREHENSIVE BELLYDANCE TRAINING FILLED WITH ADDITIONAL THEORETICAL INFORMATION
(APART FROM LONG PRACTICE SESSIONS, of course!)
YOU CAN’T FIND IN ANY OTHER COURSE,
TO BECOME AN EXCELLENT DANCER AND TEACHER!
Dates:Sunday to Sunday 21st-28th November 2010
Schedule:TRAINING
To read the detailed information on each Module contents, please refer back to
BellydanceProfessionalTraining.htm#ProfessionalTrainingS1
SECTION I PART 1 (16h)
Sunday, 21 November 2010
PART 1A: MED Foundations 1 (8h)
MODULE 0 (1h)—Professional Ethics
MODULE 1 (2h)—Biomechanics of MED Movement 1
MODULE 2 (1h)—Methodology & Didactics 1
MODULE 3 (2h)—Biomechanics of MED Movement 2
MODULE 4 (2h)—MED Arm Technique 1
Monday, 22 November 2010
PART 1B: MED Foundations 2 (8h)
MODULE 5 (2,5h)—Gaia Figures (Feminine: Rotations, Figure 8s, Undulations) in MED Polarity 1
MODULE 6 (1,5h)—MED Music Principles & Rhythms 1
MODULE 7 (2,5h)—Solar Figures (Masculine: Accents: Pops & Locks) in MED Polarity 1
MODULE 8 (1,5h)—Special Resources in Bellydance 1: Register
SECTION I Part 2 (16h)
Tuesday, 23 November 2010
PART 2A: MED Foundations 3 (8h)
MODULE 9 (1h) —Methodology & Didactics 2
MODULE 10 (2h)—1001 MED Footwork Patterns, Travelling Steps 1
MODULE 11 (1h)—Special Resources in Bellydance 2: Layering 1 (Layering by Assembling)
MODULE 12 (1h)—Shimmies 1
MODULE 13 (1,5h)—Spins & Turns in MED 1
MODULE 14 (1,5h)—MED Arm Technique 2
Wednesday, 24 November 2010
PART 2B: MED Foundations 4 (8h)
MODULE 15 (3h)—Gaia Figures (Feminine: Rotations, Figure 8s, Undulations) in MED Polarity 2
MODULE 16 (1h)—Special Resources in Bellydance 3: Knee Work, Levels & Adaptation
MODULE 17 (1,5h)—Solar Figures (Masculine: Accents: Pops & Locks) in MED Polarity 2
MODULE 18 (1h)—Special Resources in Bellydance 4: Grading, Waxing, Waning & Transformation
MODULE 19 (1,5h)—MED History 1 (Egyptian style 1)
SECTION I Part 3 (16h)
Thursday,25 November 2010
PART 3A: MED Foundations 5 (8h)
MODULE 20 (1,5h)—Special Resources in Bellydance 5: Layering 2 ("Onion" Layering)
MODULE 21 (1h)— Shimmies 2
MODULE 22 (1,5h)—Spins & Turns in MED 2
MODULE 23 (2,5h)—1001 MED Footwork Patterns & Travelling Steps 2
MODULE 24 (1,5h)—ME Rhythms 2: The 2/4 Rhythms (Malfouf, Ayyoub, Bayou, Fellahi, Vox, Adani (Khaleegi), Karatchi, Nuba & their Interpretation in MED)
Friday, 26 November 2010
PART 3B: MED Foundations 6 (8h)
MODULE 25 (3h)—ME Rhythms 3: The 4/4 Rhythms 1: Wahda & Maqsoum-Group (Maqsoum, Masmoudi Soghayar/Saghir (Baladi), Saidi & Tabl/Nawari, & their Interpretation in ME)
MODULE 26 (1h)—MED History 2 (Egyptian style 2)
MODULE 27 (2h)—ME Rhythms 4: The 4/4 Rhythms 2 (Sombati, Rhumba Masri/Bolero, Rasba/Conga Masri, Jerk, Zaffa, Hajja, Mosalas iraquí & their Interpretation in ME)
MODULE 28 (2h)—MED History 3 (Lebanese, Moroccan & Turkish styles)
SECTION I Part 4 (16h)
Saturday, 27 November 2010
PART 4A: MED Foundations 7 (8h)
MODULE 29 (1,5h)—Ultimate Advanced Drills in Technique 1 (The 2/4 Rhythms)
MODULE 30 (1,5h)—ME Rhythms 5: The 8/4 Rhythms (Wahda Kebira, Chiftetelli, Masmoudi Kebir, Mosalas, Ghelbab, Bambi & their Interpretation in MED)
MODULE 31 (1h)—MED History 4 (European & Latin-American dancers)
MODULE 32 (2h)—Ultimate Advanced Drills in Technique 2 (The 4/4 Rhythms)
MODULE 33 (2h)—ME Rhythms 6: Other Times Signature Rhythms (the 3/4, 6/4, 3/8, 6/8, 5/8, 7/8, 8/8, 9/8, 10/8 & 12/8 time signature rhythms: Samai Ta’er, Vals, Vals Kebir, Aaraj, Ogrog, Gandara, Nawakht, Dawr Hindi, Ibrahimi, Karshilama, Samai Tawil, Moroccan, Dareg, Tunesian Dareg & Dareg Kebir, etc. & their Interpretation in MED)
Sunday, 28 November 2010
PART 4B: MED Foundations 8 (8h)
MODULE 34 (4h)—Oriental Choreography (Part 1)
MODULE 35 (3h)—Oriental Choreography (Part 2)
MODULE 36 (1h)—MED History 5 (American dancers & modern fusions)
—many changes of class dancewear in case you'd like to change it daily or even twice a day due to the intensity of the class (many hours a day & most of the hours are dedicated to practice, not theorical classes)
—footwear (long class hours & many drill repetitions in Travelling Steps, Spins & Turns, Choreography, etc. might make your soles get itchy; you'll be more confortable if you have your footware in case of need)
—exercisebook or sheets of paper & pens/pencils/markers for note taking
—VIDEO CAMARA FOR RECORDING FRAGMENTS OF YOUR CLASS DRILLS FOR FUTURE REFERENCE IN YOUR PRACTICE
ADMITION RIGHTS RESERVED (The Teacher has the decision about who can attend the course).
THE AMOUNT OF THE MATERIAL, VERBAL & WRITTEN, OFFERED BY THE TEACHER WILL DEPEND ON THE OVERALL EXPERIENCE LEVEL OF THE PARTICIPANTS (The Teacher decides the level and the amount of the knowledge possible & convenient to teach each group; Remember the dynamics of the group teaching makes the Students interdependent for good and for bad; If you expect a personalized attention to suit your own experience, level and learning capacity, please apply for private classes).
MAKE SURE TO REST, EAT & HYDRATE PROPERLY BEFORE AND DURING THE COURSE, as the process is intense and you want to benefit from it as much as possible.
MAKE SURE TO LEAVE ALL PROBLEMS, BAD MOOD AND CONFLICTIVE ATTITUDES OUTSIDE. (Bringing them into class negatively affects not only the concentration and the frame of mind of ALL the present, the Students and the Teacher, but directly lowers the quality of the class, diminishing the Students' learning capacity and the Teacher's concentration and motivation levels.)
ANY PERSON WHO IS NOT A REGISTERED STUDENT IS NOT ALLOWED ON THE PREMISES OF THE COURSE (watching the classes without registration is not permitted; accompanying people are not allowed on the premises, only the registered Students; any exceptions to be made will entirely depend on the Teacher's criteria).
Certification:Proficiency Certificate: The Proficiency Certificate, a proof of your knowledge or skills, not only of your participation, is optional. To obtain it, you can apply for a date to take the theoretical & practical exams, after the necessary period of study and practice of the contents within the Section to examine.
Registration Fees:—8 days-64h-Training (Parts 1-4)
—Didactic Materials (37 Modules Guide + CDs with Middle Eastern rhythms and their samples & examples)
General Fee (FROM 1st Nov 2010): 11.000.000 Rp.
EARLY BIRD FEE (BY 31st Oct 2010): 10.000.000 Rp.
SUPEROFFER (BY 15th Oct 2010): 9.000.000 Rp.
DISCOUNTS:
(1) SuperOffer Discount Fee: BY 15th OCTOBER 2010
(2) Early Bird Registration Discount Fee: BY 31st OCTOBER 2010
(3) 50% discount for the Students repeating the Training As the Training is overflowing with valuable information and instensive practice drills, many Students decide to repeat the course coming again.
(4) 10/20/30/40/50/60/70/80/90/100% discount for Teachers registering accompanied by 1/2/3/4/5/6/7/8/9/10 or more Students respectively.
Registration Procedures: Contact:INFORMATION & REGISTRATION:
Phone: Enna (+62) 855 999 9993; Nigma (+62) 813 5335 9811 (Indonesia)
E-mail: Nigma nigma@el-oasis.org
Objectives, Students & Structure:For the detailed information about the Objectives & Character of the The Middle Eastern Dance Professional Training with Nigma & the profile of the Students addmitted (BellydanceProfessionalTraining.htm#Objectives&Students), as well as the Structure of the Course (BellydanceProfessionalTraining.htm#Structure), please go to BellydanceProfessionalTraining.htm page.
Location:“Sahara Dance Studio" at "Shisha Café"
Jl. Kemang Raya Nº10
12730 Jakarta Selatan (Indonesia)
Website: www.shisha.co.id, www.shishacafejakarta.com
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