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”El-Oasis”
Bellydance Professional Training
for Dancers & Teachers with Nigma
SECTION I:
Middle Eastern Dance Foundations (64h)
in KUALA LUMPUR (Malaysia)
30 April-7 May 2011
9-13:00 & 14-18:00
Combine the exciting Art of Bellydance study with lots of fun and an opportunity for esoteric counselling & healing sessions with Nigma, all in one unforgettable week.
Learn all the secrets of Bellydance technique & History, principles of Middle Eastern Music & Rhythms,
Middle Eastern Dance Special Resources,
representative Combos, Dance Sequences
and principles of creating a Choreography.
Learn 42 Middle Eastern Rhythms & the Bellydance Technique that goes with each of them, so you know, just like the Arab women do, the energies and movement corresponding to each genre & style of music!
Nigma's Bellydance Professional Training for Dancers & Teachers
is a unique Course of its kind with a large & comprehensive structure,
designed to make the Student -Dancer/Teacher- grow
within a well planned program:
SECTION I: MED Foundations (PARTS 1-4; 64h)
SECTIONII: Musical & Choreographical Forms in MED (PARTS 1-12; 168h)
SECTION III: Props in MED (PARTS 1-8: 112h)
It is a fruit of Nigma’s creativity, great choreographical & didactic talents
and many years of reserch & study in Egypt, USA & Spain
with the most outstanding dancers & teachers
of Egypt, Lebanon, Morocco, Turkey, Armenia, USA and Spain.
It is very valuable to all dancers and teachers who, being passionate about Bellydancing, want to delve into the Millenary Art of Bellydancing
in a quality Training.
It targets helping you become a complete & excellent dancer,
enhancing your creativity and intuitive & intellectual abilities as a dancer & teacher.
It contains subjects not found in other Bellydance Courses at all or presenting
some of them in much more extensive range of knowledge & practice, such as:
Special Resourses (to acquire the representative resourses of Arab dancers in their moves, combinations and phrasing), Methodology & Didactics (to improve not only your teaching skills but also the results of your own practice or rehearsals), Biomechanics of Middle Eastern Dance Movement (to understand what the repertoire of representative Bellydance movement is and how it is different from other dances), Middle Eastern Music Principles
(to have knowledge and understanding of the music you attempt to interpret, as -for most of you- it is part of another culture you haven't been born in), Middle Eastern Rhythm study (more extensive than in any other course: larger number of rhythms [43] and more options for their interpretation in dance), Middle Eastern Dance History (to gain perspective on national, regional and individual stylistic differences in Bellydance, and on some events of historical importance, as well as learn to appreciate the value & artistic quality of each presented dancer in a larger context).
IF YOU ARE TIRED OF LEARNING ALWAYS THE SAME THINGS,
while searching for so much more,
AND GETTING JUST A FRAGMENTED VISION OF OUR ART,
which is not enough if you are striving for excellency,
THIS IS A BELLYDANCE TRAINING FOR YOU!
A PIONEER, EXCELLENT QUALITY, COMPREHENSIVE BELLYDANCE TRAINING FILLED WITH ADDITIONAL THEORETICAL INFORMATION
(APART FROM LONG PRACTICE SESSIONS, of course!)
YOU CAN’T FIND IN ANY OTHER COURSE,
TO BECOME AN EXCELLENT DANCER AND TEACHER!
Schedule:To read the detailed information on each Module contents, please refer back to
BellydanceProfessionalTraining.htm#ProfessionalTrainingS1
SECTION I MODULE 1 (16h)
Saturday, 30 April 21011
MODULE 1A: MED Foundations 1 (8h)
UNIT 0 (1h)—Professional Ethics
UNIT 1 (2h)—Biomechanics of MED Movement 1
UNIT 2 (1h)—Methodology & Didactics 1
UNIT 3 (2h)—Biomechanics of MED Movement 2
UNIT 4 (2h)—MED Arm Technique 1
Sunday, 1 May 2011
MODULE1B: MED Foundations 2 (8h)
UNIT 5 (2,5h)—Gaia Figures (Feminine: Rotations, Figure 8s, Undulations) in MED Polarity 1
UNIT 6 (1,5h)—MED Music Principles & Rhythms 1
UNIT 7 (2,5h)—Solar Figures (Masculine: Accents: Pops & Locks) in MED Polarity 1
UNIT 8 (1,5h)—Special Resources in Bellydance 1: Register
SECTION I MODULE 2 (16h)
Monday, 2 May 2011
MODULE 2A: MED Foundations 3 (8h)
UNIT 9 (1h) —Methodology & Didactics 2
UNIT 10 (2h)—1001 MED Footwork Patterns, Travelling Steps 1
UNIT 11 (1h)—Special Resources in Bellydance 2: Layering 1 (Layering by Assembling)
UNIT 12 (1h)—Shimmies 1
UNIT 13 (1,5h)—Spins & Turns in MED 1
UNIT 14 (1,5h)—MED Arm Technique 2
Tuesday, 3 May 2011
MODULE 2B: MED Foundations 4 (8h)
UNIT 15 (3h)—Gaia Figures (Feminine: Rotations, Figure 8s, Undulations) in MED Polarity 2
UNIT 16 (1h)—Special Resources in Bellydance 3: Knee Work, Levels & Adaptation
UNIT 17 (1,5h)—Solar Figures (Masculine: Accents: Pops & Locks) in MED Polarity 2
UNIT 18 (1h)—Special Resources in Bellydance 4: Grading, Waxing, Waning & Transformation
UNIT 19 (1,5h)—MED History 1 (Egyptian style 1)
SECTION I MODULE 3 (16h)
Wednesday, 4 May 2011
MODULE 3A: MED Foundations 5 (8h)
UNIT 20 (1,5h)—Special Resources in Bellydance 5: Layering 2 ("Onion" Layering)
UNIT 21 (1h)—Shimmies 2
UNIT 22 (1,5h)—Spins & Turns in MED 2
UNIT 23 (2,5h)—1001 MED Footwork Patterns & Travelling Steps 2
UNIT 24 (1,5h)—ME Rhythms 2: The 2/4 Rhythms (Malfouf, Ayyoub, Bayou, Fellahi, Vox, Adani (Khaleegi), Karatchi, Nuba & their Interpretation in MED)
Thursday, 5 May 2011
MODULE 3B: MED Foundations 6 (8h)
UNIT 25 (3h)—ME Rhythms 3: The 4/4 Rhythms 1: Wahda & Maqsoum-Group (Maqsoum, Masmoudi Soghayar/Saghir (Baladi), Saidi & Tabl/Nawari, & their Interpretation in ME)
UNIT 26 (1h)—MED History 2 (Egyptian style 2)
UNIT 27 (2h)—ME Rhythms 4: The 4/4 Rhythms 2 (Sombati, Rhumba Masri/Bolero, Rasba/Conga Masri, Jerk, Zaffa, Hajja, Mosalas iraqí & their Interpretation in ME)
UNIT 28 (2h)—MED History 3 (Lebanese & Turkish styles)
SECTION I MODULE 4 (16h)
Friday, 6 May 2011
MODULE 4A: MED Foundations 7 (8h)
UNIT 29 (1,5h)—Ultimate Advanced Drills in Technique 1 (The 2/4 Rhythms)
UNIT 30 (1,5h)—ME Rhythms 5: The 8/4 Rhythms (Wahda Kebira, Chiftetelli, Masmoudi Kebir, Mosalas, Ghelbab, Bambi & their Interpretation in MED)
UNIT 31 (1h)—MED History 4 (European & Latin-American dancers)
UNIT 32 (2h)—Ultimate Advanced Drills in Technique 2 (The 4/4 Rhythms)
UNIT 33 (2h)—ME Rhythms 6: Other Times Signature Rhythms (the 3/4, 6/4, 3/8, 6/8, 5/8, 7/8, 8/8, 9/8, 10/8 & 12/8 time signature rhythms: Samai Ta’er, Vals, Vals Kebir, Aaraj, Ogrog, Gandara, Nawakht, Dawr Hindi, Ibrahimi, Karshilama, Samai Tawil, Moroccan, Dareg, Tunesian Dareg & Dareg Kebir, etc. & their Interpretation in MED)
Saturday, 7 May 2011
MODULE 4B: MED Foundations 8 (8h)
UNIT 34 (4h)—Oriental Choreography (Part 1)
UNIT 35 (3h)—Oriental Choreography (Part 2)
UNIT 36 (1h)—MED History 5 (American dancers & modern fusions)
—many changes of class dancewear in case you'd like to change it daily or even twice a day due to the intensity of the class (many hours a day & most of the hours are dedicated to practice, not theorical classes)
—footwear (long class hours & many drill repetitions in Travelling Steps, Spins & Turns, Choreography, etc. might make your soles get itchy; you'll be more confortable if you have your footware in case of need)
—exercisebook or sheets of paper & pens/pencils/markers for note taking
—VIDEO CAMARA FOR RECORDING FRAGMENTS OF YOUR CLASS DRILLS FOR FUTURE REFERENCE IN YOUR PRACTICE
ADMITION RIGHTS RESERVED (The Teacher has the decision about who can attend the course).
THE AMOUNT OF THE MATERIAL, VERBAL & WRITTEN, OFFERED BY THE TEACHER WILL DEPEND ON THE OVERALL EXPERIENCE LEVEL OF THE PARTICIPANTS (The Teacher decides the level and the amount of the knowledge possible & convenient to teach each group; Remember the dynamics of the group teaching makes the Students interdependent for good and for bad; If you expect a personalized attention to suit your own experience, level and learning capacity, please apply for private classes).
MAKE SURE TO REST, EAT & HYDRATE PROPERLY BEFORE AND DURING THE COURSE, as the process is intense and you want to benefit from it as much as possible.
MAKE SURE TO LEAVE ALL PROBLEMS, BAD MOOD AND CONFLICTIVE ATTITUDES OUTSIDE. (Bringing them into class negatively affects not only the concentration and the frame of mind of ALL the present, the Students and the Teacher, but directly lowers the quality of the class, diminishing the Students' learning capacity and the Teacher's concentration and motivation levels.)
ANY PERSON WHO IS NOT A REGISTERED STUDENT IS NOT ALLOWED ON THE PREMISES OF THE COURSE (watching the classes without registration is not permitted; accompanying people are not allowed on the premises, only the registered Students; any exceptions to be made will entirely depend on the Teacher's criteria).
(assistance in your path of self-discovery, personal growth, spiritual evolution & healing): through Oracle Cards Reading, Sacred Geometry Light Language Grids, Numerology: Birth & Name Charts, Time Code Calculator + Full Moon Release & New Moon Plantation Meditations & Ceremonies
Book in advance for appointment.
www.nigmabellydance.com/Esoteric-Counselling&Healing.htm
Objectives, Students & Structure:For the detailed information about the Objectives & Character of the The Middle Eastern Dance Professional Training with Nigma & the profile of the Students addmitted (BellydanceProfessionalTraining.htm#Objectives&Students), as well as the Structure of the Course (BellydanceProfessionalTraining.htm#Structure), please go to BellydanceProfessionalTraining.htm page.
Certification:Proficiency Certificate: The Proficiency Certificate, a proof of your knowledge or skills, not only of your participation, is optional. To obtain it, you can apply for a date to take the theoretical & practical exams, after the necessary period of study and practice of the contents within the Section to examine.
Registration Fees:—8 days-64h-Training (Modules 1-4)
—Didactic Materials (Modules Guidebook + CDs with Middle Eastern rhythms and their samples & examples)
SECTION I KL April-May 2011 Session:
GENERAL FEE (AFTER 15 April 2011): 4.800 RM
EARLY BIRD FEE (BY 15th April 2011): 4.200 RM
SUPEROFFER (BY 1st April 2011): 3.700 RM
DISCOUNTS:
(1) SuperOffer Discount Fee: BY 1st APRIL 2011
(2) Early Bird Registration Discount Fee: BY 15th APRIL 2011
(3) 50% discount for the Students repeating the Training As the Training is overflowing with valuable information and instensive practice drills, many Students decide to repeat the course coming again.
(4) TEACHERS' PROMOTION:
10% discount off your Registration Fee for each Student you register with.
Come with 10 Students and you will receive your whole Professional Training for free.
Registration Procedures:Contact Aiza (+60) 133 004 780 or aizaquest@gmail.com to receive instructions.
Location: Contact:Contact: Aiza (+60) 133 004 780, Nigma (+62) 813 5335 9811 (Indonesia)
E-mail: aizaquest@gmail.com, nigma@el-oasis.org
Website: www.nigmabellydance.com (English), www.el-oasis.org,(Spanish)
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