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”El-Oasis”
Bellydance Professional Training
for Dancers & Teachers with Nigma
SECTION IIA (Modules 1-4):
Musical & Choreographical Forms in
the
Middle Eastern Dance (56h)
in Bangkok (Thailand)
28 March—3 April 2011
Nigma's Bellydance Professional Training for Dancers & Teachers
is a unique Course of its kind with a large & comprehensive structure,
designed to make the Student -Dancer/Teacher- grow
within a well planned program:
SECTION I: MED Foundations (PARTS 1-4; 64h)
SECTIONII: Musical & Choreographical Forms in MED (PARTS 1-12; 168h)
SECTION III: Props in MED (PARTS 1-8: 112h)
It is a fruit of Nigma’s creativity, great choreographical & didactic talents
and many years of reserch & study in Egypt, USA & Spain
with the most outstanding dancers & teachers
of Egypt, Lebanon, Morocco, Turkey, Armenia, USA and Spain.
It is very valuable to all dancers and teachers who, being passionate about Bellydancing, want to delve into the Millenary Art of Bellydancing
in a quality Training.
It targets helping you become a complete & excellent dancer,
enhancing your creativity and intuitive & intellectual abilities as a dancer & teacher.
It contains subjects not found in other Bellydance Courses at all or presenting
some of them in much more extensive range of knowledge & practice, such as:
Special Resourses (to acquire the representative resourses of Arab dancers in their moves, combinations and phrasing), Methodology & Didactics (to improve not only your teaching skills but also the results of your own practice or rehearsals), Biomechanics of Middle Eastern Dance Movement (to understand what the repertoire of representative Bellydance movement is and how it is different from other dances), Middle Eastern Music Principles
(to have knowledge and understanding of the music you attempt to interpret, as -for most of you- it is part of another culture you haven't been born in), Middle Eastern Rhythm study (more extensive than in any other course: larger number of rhythms [43] and more options for their interpretation in dance), Middle Eastern Dance History (to gain perspective on national, regional and individual stylistic differences in Bellydance, and on some events of historical importance, as well as learn to appreciate the value & artistic quality of each presented dancer in a larger context).
IF YOU ARE TIRED OF LEARNING ALWAYS THE SAME THINGS,
while searching for so much more,
AND GETTING JUST A FRAGMENTED VISION OF OUR ART,
which is not enough if you are striving for excellency,
THIS IS A BELLYDANCE TRAINING FOR YOU!
A PIONEER, EXCELLENT QUALITY, COMPREHENSIVE BELLYDANCE TRAINING FILLED WITH ADDITIONAL THEORETICAL INFORMATION
(APART FROM LONG PRACTICE SESSIONS, of course!)
YOU CAN’T FIND IN ANY OTHER COURSE,
TO BECOME AN EXCELLENT DANCER AND TEACHER!
Dates:Monday to Sunday 28th March-3rd April 2011
Schedule:TRAINING
To read the detailed information on each Module contents, please refer back to
BellydanceProfessionalTraining.htm#ProfessionalTrainingS2
SECTION II MODULE 1 (14h)
BALADI
Monday, 28 March 2011
MODULE 1A: Baladi 1 (7h)
UNIT 1 (1h)—Structure, Principles of the MED Music & Rhythm in Baladi
UNIT 2 (3h)—Baladi: Technique & Choreography (Part 1)
UNIT 3 (3h)—Baladi: Technique & Choreography (Part 2)
Tuesay, 29 March 2011
MODULE 1B: Baladi 2 (7h)
UNIT 4 (1h)—History, Great interpreters of Baladi
UNIT 5 (3h)—Baladi: Technique & Choreography (Part 3)
UNIT 6 (3h)—Baladi: Technique & Choreography (Part 4)
SECTION II MODULE 2 (14h)
SHAABI
Wednesday, 30 March 2011
MODULE 2A: Shaabi 1 (7h)
UNIT 7 (1h)—Structure, Principles of the MED Music & Rhythm in Shaabi
UNIT 8 (3h)—Shaabi: Technique & Choreography (Part 1)
UNIT 9 (3h)—Shaabi: Technique & Choreography (Part 2)
Thursday, 31 March 2011
MODULE 2B: Shaabi 2 (7h)
UNIT 10 (1h)—History, Great interpreters of Shaabi
UNIT 11 (3h)—Shaabi: Technique & Choreography (Part 3)
UNIT 12 (3h)—Shaabi: Technique & Choreography (Part 4)
SECTION II MODULE 3 (14h)
INTERPRETATION OF OUM KALTHOUM
Friday, 1 April 2011
MODULE 3A: Interpretation of Oum Kalthoum 1 (7h)
UNIT 13 (1h)—Oum Kalthoum, life and legend & Structure, Principles of the MED Music & Rhythm in the Interpretation of her songs
UNIT 14 (3h)—Oum Kalthoum: Technique & Choreography (Part 1)
UNIT 15 (3h)—Oum Kalthoum: Technique & Choreography (Part 2)
Saturday, 2 April 2011
MODULE 3B: Interpretation of Oum Kalthoum 2 (7h)
UNIT 16 (1h)—History, Great interpreters of Oum Kalthoum
UNIT 17 (3h)—Oum Kalthoum: Technique & Choreography (Part 3)
UNIT 18 (3h)—Oum Kalthoum: Technique & Choreography (Part 4)
SECTION II MODULE 4 (14h)
ENTRANCE-PRESENTATION & FINALE IN THE ORIENTAL ROUTINE (RAQS SHARQI)
Saturday, 2 April 2011
MODULE 4A: Entrance-Presentation in Raqs Sharqi (7h)
UNIT 19 (1h)—Structure, Principles of the MED Music & Rhythm in the Entraces & Presentations
UNIT 20 (3h)—Entraces: Technique & Choreography (Part 1)
UNIT 21 (3h)—Entraces: Technique & Choreography (Part 2)
Sunday, 3 April 2011
MODULE 4B: Finales in Raqs Sharqi (7h)
UNIT 22 (1h)—Structure, Principles of the MED Music & Rhythm in the Finales
UNIT 23 (3h)—Finale: Technique & Choreography (Part 1)
UNIT 24 (3h)—Finales: Technique & Choreography (Part 2)
—many changes of class dancewear in case you'd like to change it daily or even twice a day due to the intensity of the class (many hours a day & most of the hours are dedicated to practice, not theorical classes)
—footwear (long class hours & many drill repetitions in Travelling Steps, Spins & Turns, Choreography, etc. might make your soles get itchy; you'll be more confortable if you have your footware in case of need)
—exercisebook or sheets of paper & pens/pencils/markers for note taking
—VIDEO CAMARA FOR RECORDING FRAGMENTS OF YOUR CLASS DRILLS FOR FUTURE REFERENCE IN YOUR PRACTICE
ADMITION RIGHTS RESERVED (The Teacher has the decision about who can attend the course).
THE AMOUNT OF THE MATERIAL, VERBAL & WRITTEN, OFFERED BY THE TEACHER WILL DEPEND ON THE OVERALL EXPERIENCE LEVEL OF THE PARTICIPANTS (The Teacher decides the level and the amount of the knowledge possible & convenient to teach each group; Remember the dynamics of the group teaching makes the Students interdependent for good and for bad; If you expect a personalized attention to suit your own experience, level and learning capacity, please apply for private classes).
MAKE SURE TO REST, EAT & HYDRATE PROPERLY BEFORE AND DURING THE COURSE, as the process is intense and you want to benefit from it as much as possible.
MAKE SURE TO LEAVE ALL PROBLEMS, BAD MOOD AND CONFLICTIVE ATTITUDES OUTSIDE. (Bringing them into class negatively affects not only the concentration and the frame of mind of ALL the present, the Students and the Teacher, but directly lowers the quality of the class, diminishing the Students' learning capacity and the Teacher's concentration and motivation levels.)
ANY PERSON WHO IS NOT A REGISTERED STUDENT IS NOT ALLOWED ON THE PREMISES OF THE COURSE (watching the classes without registration is not permitted; accompanying people are not allowed on the premises, only the registered Students; any exceptions to be made will entirely depend on the Teacher's criteria).
Certification:Proficiency Certificate: The Proficiency Certificate, a proof of your knowledge or skills, not only of your participation, is optional. To obtain it, you can apply for a date to take the theoretical & practical exams, after the necessary period of study and practice of the contents within the Section to examine.
Registration Fees:—8 days-56h-Training (Modules 1-4)
—Didactic Materials (Modules Guidebook + CDs with the studied Forms samples)
26 March-2 April 2011 Session:
General Fee (FROM 1st February 2011): 43.000 Thai Baht
EARLY BIRD FEE (BY 31st January 2011): 38.000 Thai Baht
SUPEROFFER (BY 31st December 2010): 31.000 Thai Baht
DISCOUNTS:
(1) SuperOffer Discount Fee: BY 31st DECEMBER 2010
(2) Early Bird Registration Discount Fee: BY 31st JANUARY 2011
(3) 25% discount for the Students repeating the Training As the Training is overflowing with valuable information and instensive practice drills, many Students decide to repeat the course coming again.
(4) 10/20/30/40/50/60/70/80/90/100% discount for Teachers registering accompanied by 1/2/3/4/5/6/7/8/9/10 or more Students respectively.
Registration Procedures:1-Sender: Student's full name
2-Concept: BKK TRAINING + MONTH + Section Number (Eg: S1 or S2 or S1+2)
PLEASE confirm your Registration & transfer by e-mail to nigma@el-oasis.org and keep the bank receipt just in case.
Contact:INFORMATION & REGISTRATION:
Phone: August (+66) 814 303 393; Nigma (+66) 879 304 045 (Thailand), (+62) 813 5335 9811 (Indonesia)
E-mail: August gaiabyhops@hotmail.com, Nigma nigma@el-oasis.org
Objectives, Students & Structure:For the detailed information about the Objectives & Character of the The Middle Eastern Dance Professional Training with Nigma & the profile of the Students addmitted (BellydanceProfessionalTraining.htm#Objectives&Students), as well as the Structure of the Course (BellydanceProfessionalTraining.htm#Structure), please go to BellydanceProfessionalTraining.htm page.
Location:“El-Oasis*Bangkok"
"Gaia" by HOPS (House of Pro Studios)
(inside the Sareerarom Spa)
32 Sukhumvit Soi 23, BTS Asok
Bangkok 10110 (Thailand)
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