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Nigma, Photo: MG |
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"El-Oasis"
Worldwide Bellydance Community: |
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| CONTACT: |
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| Phones: Nigma |
| To contact Nigma, be so kind to use the numbers listed bellow, taking into account the time zone difference and the dates indicated as follows: |
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| (+66) 85 22 74 552 (Thailand: 1/07/07-31/08/07) |
| (+34) 696 904 940 (Spain: 1/09/07-31/10/07) |
| (+66) 85 22 74 552 (Thailand: 1/11/07-22/11/07) |
| (+65) 9240 5780 (Singapore: 22/11/07-27/11/07) |
| (+60) 173 128 544 (Malaysia: 27/011/07-3/12/07) |
| (+91) 988 1824 031 (India: 4/12/07-27/02/08) |
| (+62) 81 380 768 655 (Indonesia: 29/02/08-20/03/08) |
| (+66) 85 22 74 552 (Thailand: 20/03/08-25/03/08) |
| (+34) 696 904 940 (Spain: 25/03/08-10/05/08) |
| (+212) 50 884 199 (Morocco: 10/05/08-22/05/08) |
| (+60) 173 128 544 (Malaysia: 25/05/08-7/08/08) |
| (+62) 813 5335 9811 (Indonesia: 8/08/08-30/09/08) |
| (+34) 696 904 940 (Spain: 1/10/08-31/03/09) |
| (+66) 870 638 511 (Thailand: 1/04/09-7/04/09) |
| (+62) 813 5335 9811 (Indonesia: 8/04/09-6/06/09) |
| (+60) 173 475 798 (Malaysia: 7/06/09-15/07/09) |
| (+62) 813 5335 9811 (Indonesia: 16/07/09-28/09/09) |
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| E-mail : nigma@el-oasis.org |
| Website: www.nigmabellydance.com (English) www.el-oasis.com (Spanish) |
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| IDENTITY: |
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"El-Oasis" Worldwide Bellydance Community is an international organization created to spread the millenary art of Bellydance to benefit, individually, women (students and dancers) through its life-transforming practice and, globally, the World through our contribution to beauty, health, positive and creative thought, balance, peace, joy and happiness.
Its creation has been the initiative of Nigma, a Bellydance performer, choreographer and international instructor specializing in Middle Eastern Dance (Egyptian style Raqs Sharqi), Tribal (ATS & Tribal Fusion), Shaabi and Egyptian Folklore. It has transformed from one centre, the “El-Oasis” Bellydance and Oriental Folklore School in Madrid (Spain), into a Web of many Oases all over the World, resulting in a Community of Bellydancers of many nationalities. Nowadays, the Members of the “El-Oasis” Community are: Kuala Lumpur and Alor Star (Malaysia), Jakarta and Bali (Indonesia), Bangkok (Thailand), Madrid, Cádiz, Vitoria, Gijón, Gran Canaria of Canary Islands (Spain).
“El-Oasis” is now a mosaic of many dance centres, associations, organizations and individual instructors located in different parts of the world that regularly invite Nigma to offer workshops, performances, lecture-demonstrations, conferences and research presentations as part of their activities.
Nigma’s pursuit is not only to share her passion and experience through her dance style and teaching method to provide support to the teachers and students who wish to delve into the study of the art of Bellydance, but also for “El-Oasis” to be a platform of experience exchange with other gifted dancers, teachers, lecturers and scientists. Through the collaboration with specialists of different disciplines and networking with other organizations we hope to improve women’s consciousness, education and quality of life, thus contributing to their families’ and whole societies’ in our quest to spread valuable knowledge, wisdom and a holistic vision of the Universe. We believe that through our activities we can create a positive vibration to help people use their full potential and connect them to the Source energy so that, as a result, Planet Earth becomes a beautiful, healthy, creative, peaceful and happy place to live, a real Oasis in the Universe. |
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| OBJECTIVES: |
The objectives of the "El-Oasis" Worldwide Bellydance Community are: |
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to spread the knowledge of Middle Eastern Dance / Bellydance as an art form and a valuable addition to everyday life |
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 to provide support to the Teachers and Students who wish to delve into the study of the art of Bellydance |
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 to establish a pedagogical formula in teaching and learning Bellydance where a system and diversity meet, by means of a high quality systematized teaching method, applying didactic materials. This approach will help students and dancers to find their way through the great variety of national, regional and individual styles and props that characterize Bellydance, teaching them -at the same time- to both accept and appreciate the fact that Bellydance has neither one origin or creator nor one style or terminology for its body vocabulary. This diversity, on the one hand, makes progress in learning difficult but, on the other hand, makes Bellydance a unique and most complete dance form with unequalled potential for individual expression. |
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 to offer “El-Oasis” as a platform for experience exchange with other gifted dancers, teachers, lecturers and scientists specialized in different disciplines |
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 to spread valuable knowledge, wisdom and a holistic vision of the Universe |
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 to contribute to women’s wellbeing by unfolding and experimenting the benefits of Bellydancing, such as improvement of physical health and emotional balance, spiritual awakening, better energy managing, an alternative path to self-discovery, self-awareness and self-esteem, and harmony between the physical, emotional and spiritual aspects in a human being |
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 to improve women’s consciousness, education and quality of life through a variety of lectures and activities |
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 through women to contribute to their families’ and whole societies’ consciousness, education and quality of life |
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 to bring more balance between the Yin and the Yang in the Universe by empowering women with the resources to enjoy more and have control over their lives, specially –but not only- in environments where the Universal Feminine and the Sacred Goddess essence is suppressed |
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 to create a positive vibration to help people use their full potential and connect them to the Source energy so that, as a result, Planet Earth becomes a beautiful, healthy, creative, peaceful and happy place to live, a real Oasis in the Universe |
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| ACTIVITIES: |
The activities through which the"El-Oasis" Worldwide Bellydance Community achieves its objectives are: |
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Workshops for public specialized in Bellydancing oriented on dance teaching (weekend, week-long, two-week intensive, monthly, etc.) on Raqs Sharqi, Tribal Fusion/ATS and Egyptian Folklore, in events organized both by “El-Oasis” Community Members and other organizations |
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Workshops for general public oriented on promoting health, valuable scientific and metaphysical discoveries and their application through Bellydancing (“Bellydance for Health and Beauty”, “The Gift of the Five Elements”, "The Mysteries of Water”, etc., based on the study of chakras, colours, sounds, The Five Elements, The Five Senses and capacity of water) in events organized both by “El-Oasis” Community Members and other organizations |
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Workshops for special care public oriented on health and self-esteem issues developed through Bellydancing (“Bellydance for Self-Esteem, Health and Beauty”, “The Gift of the Five Elements”, "The Mysteries of Water”, etc.) in activities organized in collaboration with governmental or non-governmental organizations caring for women victims of gender violence, bulimia or anorexia problems, immigrant women, etc. |
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Teachers’ training for the Organizers-Sponsors of Nigma’s events |
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Bellydance regular classes by local teachers, Memebrs of “El-Oasis” Community |
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Bellydance performances / shows (in avariety of styles, props and costumes: Raqs Sharqi, Tribal Fusion & ATS and Egyptian Folklore) in events organized both by “El-Oasis” Community and other organizations |
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Choreographic works and residencies (assignments for individual dancers, companies, organizations, etc.) |
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Conferences, research presentations and Lecture-Demonstrations on Bellydance, its history and mystery, social context and benefits for an individual’s and society’s self-awarenes and health |
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Special long duration projects including Bellydance teaching, choreographing, performances, conferences, research presentations and lecture-demonstrations with unique features specifically designed for “El-Oasis” Member centres or independent Organizers, such as Universities, Dance Conservatories, Schools, Associations, etc. |
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Contributions to Festivals and Congresses with Bellydance workshops, choreographies, performances, conferences, research presentations and lecture-demonstrations (e.g: contributions to the World Dance Congress on Dance Research by CID, UNESCO, World Dance Festivals, International Bellydance Festivals all over the world, etc.) |
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Networking with other organizations to achieve better results |
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Members of "El-Oasis" Community: |
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Member of "El-Oasis" Worldwide Bellydance Community
"El-Oasis*Alor Star" |
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| Address: “Arabesque Belly Dance Centre", Alor Star, Kedah Darul Aman (Malaysia) |
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| Director/Teacher: Annie Ong |
| Tel: (+60) 124 895 395 |
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| E-mail: annie_arbq@yahoo.com |
| Website: www.bellydance-arabesquebellydance-annie.blogspot.com |
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Member of "El-Oasis" Worldwide Bellydance Community:
"El-Oasis*Bali" |
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| Address: “El-Oasis", Ubud, Gianyar, Bali (Indonesia) |
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| Director/Teacher: Nigma |
| Tel: (+62) 813 5335 9811 (Indonesia: 6/04/09-28/09/09), (+34) 696 904 940 (Spain: 1/10/08-31/03/09) |
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| E-mail: nigma@el-oasis.org |
| Websites: www.nigmabellydance.com, www.el-oasis.org |
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FUTURE EVENTS: |
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1st-6th /1st-10th May 2009
MED Professional Training for Dancers & Teachers with Nigma
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17th-22nd /17th-26th July 2009
MED Professional Training for Dancers & Teachers with Nigma
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4th-9nd /4th-13th September 2009
MED Professional Training for Dancers & Teachers with Nigma
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Member of "El-Oasis" Worldwide Bellydance Community:
"El-Oasis*Bangkok" |
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Address: “El-Oasis*Bangkok"
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| Director/Teacher: Nigma |
| Tel: (+66) 879 304 045 (Thailand), (+62) 813 5335 9811 (Indonesia), (+34) 696 904 940 (Spain: 1/10/09-22/10/09) |
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| E-mail: nigma@el-oasis.org |
| Websites: www.nigmabellydance.com, www.el-oasis.org |
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Member of "El-Oasis" Worldwide Bellydance Community:
"El-Oasis*Cádiz" |
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| Address: Cádiz (Spain) |
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| Sponsor-Organizer: Alicia Bozalongo |
| Teacher: Nigma |
| Tel: Alicia Bozalongo (+34) 649 960 805, Nigma (+34) 696 904 940 (Spain: 1/10/08-31/01/09) |
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| E-mail: Alicia Bozalongo ali.boza@ono.com, Nigma nigma@el-oasis.org |
| Websites: www.el-oasis.org, www.nigmabellydance.com |
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Member of "El-Oasis" Worldwide Bellydance Community:
"El-Oasis*Canarias" (Canary Islands) |
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| Address: "Kamar" Canary Bellydance Association ("Asociación Canaria de Danza Oriental "Kamar"), 35200 Telde, Gran Canaria, Canary Islands (Spain) |
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| Sponsors/Association Management: Yolanda Domínguez, Juana Larena, Isabel Martín, Carolina Eusa, Vanessa Ojeda |
| Teachers: Isabel Martín, Carolina Eusa |
| Phone: (+34) 646 693 842, (+34) 699 135 317 |
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| E-mail: danzakamar@hotmail.com |
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Member of "El-Oasis" Worldwide Bellydance Community:
"El-Oasis*Gijón" |
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| Address: "Fusión Oriental", Academia de Danza "Candilejas", C/Quevedo, 54, 33200 Gijón (Spain) |
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| Director/Teacher/Sponsor-Organizer: Vanesa Moreno |
| Tel: (+34) 652 063 003 |
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| E-mail: fusionoriental@hotmail.com |
| Website: www.fusionoriental.es |
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Member of "El-Oasis" Worldwide Bellydance Community:
"El-Oasis*Jakarta" |
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| Address: "Bellydance Jakarta Center", Jl. Mas Putih Blok D-48, Permata Hijau, Jakarta (Indonesia) |
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| Director/Teacher/Sponsor-Organizer: Christine Yaven |
| Phone: (+62) 817 981 3346 |
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| E-mail: chryaven@yahoo.com |
| Website: www.bellydancejakarta.com |
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Member of "El-Oasis" Worldwide Bellydance Community:
"El-Oasis*Kuala Lumpur" |
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| Address: “KL Performance Arts Centre (KLPac)", Jl. Strachan, Kuala Lumpur, Selangor (Malaysia) |
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| Director/Teacher: Nigma |
| Phone: (+60) 173 475 798 Nigma (7/06/09-15/07/09) |
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| E-mail: nigma@el-oasis.org |
| Websites: www.nigmabellydance.com, www.el-oasis.org |
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PAST EVENTS: |
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Member of "El-Oasis" Worldwide Bellydance Community:
"El-Oasis*Vitoria" |
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| Address: "Gisela Centro de Danza", C/Fernán González, 5—Bajo Dcha, 01002 Vitoria-Gasteiz (Spain) |
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| Director/Teacher/Sponsor-Organizadora: Gisela Rueda |
| Tel: (+34) 945 203 881, 650 184 951 |
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| E-mail: giselacentrodedanza@yahoo.es |
| Website: www.giselacentrodedanza.com |
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Member of "El-Oasis" Worldwide Bellydance Community:
"El-Oasis*Madrid"
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| Director/Teacher: Nigma |
| Phone: (+34) 696 904 940 Nigma (Spain: 1/10/08-31/01/09) |
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| E-mail: nigma@el-oasis.org |
| Websites: www.nigmabellydance.com, www.el-oasis.org |
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Address: “El-Oasis*Madrid"
Edificio de Ayuntamiento & Escuela Mayor de Danza (Town Hall & Major School of Dance Building)
Nº2 Ribera de Curtidores St.-2nd Floor
28005 Madrid (Spain)
Metro/Subway Station:
<M> La Latina (Line 5/Green)/Tirso de Molina (Line 1/Blue)
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"El-Oasis*Madrid" is located in the Town Hall and Major School of Dance Building in the center of Madrid. The building is situated in Ribera de Curtidores Street, the main street of
El Rastro (the famous Sunday street market), between the Cascorro Square and the General Vara de Rey Square (accessing the main entrance from the Amazonas Street), a 5 minute-walk southward from the Main Old Square (Plaza Mayor). |
Click Fátima's Hand for the zone map and further directions |
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ATTENTION: The main door is always closed.
Please ring the door bell to enter. |
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Class Schedule (Course 2008/09 ): |
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At present, during the Courses 2007/08 and 2008/09, the regular (weekly & bimonthly) classes with Nigma in "El-Oasis*Madrid" are suspended due to her international commitments. Check the Events section for the dates, registration conditions & contacts of the scheduled annual workshops with Nigma in Madrid, other Spanish cities and other countries. |
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We recomend paying spacial attention to the MED Professional Training for Dancers & Teachers (taught annually by Nigma in Madrid, Spain in Spanish language and in Ubud, Bali-Indonesia in English) & "El-Oasis" Tribal Guide and Certification Program (taught in Madrid, Spain in Spanish and Kuala Lumpur & Alor Star, Malaysia in English). |
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MIDDLE EASTERN DANCE PROFESSIONAL TRAINING FOR DANCERS & TEACHERS
SECTION I: Middle Eastern Dance Foundations
Part 1 (16h)
SECTION I PART 1: MED Foundations 1-2
Dates: Saturday & Sunday 25th-26th October 2008
Saturday, 25th Oct. 2008
PART 1A: MED Foundations 1 (8h)
Morning (4h): 10:00-14:15
MODULE 1 (3h) — Biomechanics of MED Movement 1
Anatomy for Dancers, Body Alignment, Postural Correction, Do’s & Don’ts in strenuous exercise, Warm-Up + Stretch + Physical Exercise + Cool Down routines necessary to progressive body opening & physical health
MODULE 2 (1h) — Methodology & Didactics 1
Strategies for self-study, rehearsals and teaching (all suitable for dancers, teachers and students), viewing full movement as layering elements belonging to different body & move categories, structuring a class/self-practice, student cueing, methods for technique & choreography teaching
Afternoon-Evening (4h): 16:00-20:15
MODULE 3 (2h) — Biomechanics of MED Movement 2
Duality in MED, Foot Positions, Isolations & The 5 Basic Mechanisms®, Planes & Axes of Movement in 3 Dimensions, Orientation in Space & Travelling Directions, Travelling in 3 Dimensions with 5 Basic Mechanisms®
MODULE 4 (2h)—MED Arm Technique 1
Arm Positions & Movement based on connecting Positions, 1-, 2- & 3-Energy Points-based Moves, Hand Embellishments (Floreo & Gestures) most representative for MED
Sunday, 26th Oct. 2008
PART 1B: MED Foundations 2 (8h)
Morning (4h): 10:00-14:15
MODULE 5 (2,5h) —Gaia Figures (Undulations) in MED Duality 1
Creation, Breakdown, Analysis based on The 5 Basic Mechanisms® & Drills in Upper & Lower Body undulating moves characteristic for MED
MODULE 6 (1,5h)— MED Music Principles & Rhythms 1
Preparation for the study of the ME rhythms through learning the principles of music: Beat, Time Signature, Tempo, Sound & Silence values, phrasing, etc.; Introduction to ME rhythms: accent types & signature categorization, rhythms, their correlation, structure & characteristics
Afternoon-Evening (4h): 16:00-20:15
MODULE 7 (2,5h)— Solar Figures (Accents & Locks) in MED Duality 1
Creation, Breakdown, Analysis based on The 5 Basic Mechanisms® & Drills in Upper & Lower Body percussive moves characteristic for MED
MODULE 8 (1,5h)—Special Resources in Bellydance 1: Register
Special Resource called Register, present in a large variety of Solar Moves, allows varying between the gentle and sharp execution of the same Solar Figure due to the optional use of certain muscles.
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Part 2 (16h)
SECTION I PART 2: MED Foundations 3-4
Dates: Saturday & Sunday 8th-9th November 2008
Saturday, 8th Nov. 2008
PART 2A: MED Foundations 3 (8h)
Morning (4h): 10:00-14:15
MODULE 9 (1h) — Methodology & Didactics 2
More strategies for self-study, rehearsals and teaching (all suitable for dancers, teachers and students), structuring self-study, rehearsals and teaching routines into drills on individual body parts and building up the full body movement based on assembling principles
MODULE 10 (2h)—1001 MED Footwork Patterns & Travelling Steps 1
Foot Positions, Footwork Patterns and Travelling Steps representative for MED from old to modern times. Learning anatomic approach to economizing energy and space while using Footwork according to energetic priorities in MED
MODULE 11 (1h)— Special Resources in Bellydance 2: Layering 1
The fundamental and essential Resource to Middle Eastern Dance, its basic principle of isolation and the whole body movement building. It enlarges our repertoire of body vocabulary and increases its complexity by combining two or more elements from different movement categories (execute moves in two or more body parts simultaneously).
Afternoon-Evening (4h): 16:00-20:15
MODULE 12 (1h)— Shimmies 1
Execution, Breakdown, Analysis based on The 5 Basic Mechanisms® & Drills in Upper & Lower Body Shimmies
MODULE 13 (1,5h)— Spins & Turns in MED 1
Categorization, analysis of its elements (body form, rate of turn, balance and spotting), drills & combinations
MODULE 14 (1,5h)— MED Arm Technique 2
Advanced Arm Movements & Hand Embellishments (Floreo & Gestures), making choices according to the energetic correspondence to the main body core moves, creative combinations
Sunday, 9th Nov. 2008
PART 2B: MED Foundations 4 (8h)
Morning (4h): 10:00-14:15
MODULE 15 (3h)— Gaia Figures (Undulations) in MED Duality 2
More advanced drills in Upper & Lower Body undulating moves characteristic for MED, combinations, assembling with a variety of Orientation in Space, Travelling & Arm Technique
MODULE 16 (1h)—Special Resources in Bellydance 3: Knee Work, Levels & Adaptation
The ‘Knee Work, Levels & Adaptation’ workshop focuses on some of many Special Resources in Bellydance which enrich our body vocabulary by introducing variations in some moves by using the knee bending, creating levels or adaptations in movement according to the circumstances
Afternoon-Evening (4h): 16:00-20:15
MODULE 17 (1,5h)— Solar Figures (Accents & Locks) in MED Duality 2
More advanced drills in Upper & Lower Body percussive moves characteristic for MED, combinations and assembling with a variety of Orientation in Space, Travelling & Arm Technique
MODULE 18 (1h)—Special Resources in Bellydance 4: Grading, Waxing, Waning & Transformation
The ‘Gradation’ workshop focuses on four correlated Special Resources which can enrich our body vocabulary by introducing variations in some moves by grading their execution either in height, rotation, size or transformation into another movement according to the circumstances
MODULE 19 (1,5h)— MED History 1 (Egyptian style 1)
1st part of MED History overview, lives of dancers and video projections for style & costume analysis
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Part 3 (16h)
SECTION I PART 3: MED Foundations 5-6
Dates: Saturday & Sunday 29th-30th November 2008
Saturday, 29th Nov. 2008
PART 3A: MED Foundations 5 (8h)
Morning (4h): 10:00-14:15
MODULE 20 (1, 5h)—Special Resources in Bellydance 5: Layering 2
A fundamental and essential Resource to Middle Eastern Dance and its basic principle of isolation. It enlarges our repertoire of body vocabulary and increases its complexity by introducing variations in some moves by layering another mechanism, figure or move in the same category of movement.
MODULE 21 (1h)— Shimmies 2
Execution, Breakdown, Analysis based on The 5 Basic Mechanisms® & Drills in Upper & Lower Body Shimmies
MODULE 22 (1,5h)—Spins & Turns in MED 2
Drills, combinations of turns and assembling with other movement categories, such as the Main Body Core technique (Upper & Lower Body), Limbs: Footwork (Positions, Patterns & Travelling Steps) and Armwork (Positions & Moves)
Afternoon-Evening (4h): 16:00-20:15
MODULE 23 (2,5h)— 1001 MED Footwork Patterns & Travelling Steps 2
Step variations created by assembling the Footwork vocabulary with the other movement categories, such as a variety of Orientation in Space and Travelling Direction choices, Spins & Turns, Head Moves, Arm Technique, Upper & Lower Body Technique
MODULE 24 (1,5h)—ME Rhythms 2: the 2/4 Rhythms
Discerning the 2/4 time signature rhythms, such as: Malfouf, Ayyoub, Bayou, Fellahi, Vox, Karatchi & Khaleegi (Adani), Nuba & their Interpretation in MED
Sunday, 30th Nov. 2008
PART 3B: MED Foundations 6 (8h)
Morning (4h): 10:00-14:15
MODULE 25 (3h)—ME Rhythms 3: Wahda & the 4/4 Maqsoum-Group Rhythms
Discerning the 4/4 time signature rhythms such as Wahda & the Maqsoum group rhythms: Maqsoum, Masmoudi Soghayar/Saghir (Baladi), Saidi & Tabl/Nawari & their Interpretation in MED
MODULE 26 (1h)— MED History 2 (Egyptian style 2)
2nd part of MED History overview, lives of dancers and video projections for style & costume analysis
Afternoon-Evening (4h): 16:00-20:15
MODULE 27 (2h)—ME Rhythms 4: Other 4/4 Rhythms
Discerning other 4/4 time signature rhythms, such as: Sombati, Rhumba Masri/Bolero, Rasba/Conga Masri, Jerk, Zaffa & their Interpretation in MED
MODULE 28 (2h)— MED History 3 (Lebanese & Turkish styles)
3rd part of MED History overview, lives of dancers and video projections for style & costume analysis
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Part 4 (16h)
SECTION I PART 4: MED Foundations 7-8
Dates: Saturday & Sunday 17th-18th January 2009
Saturday, 17th Jan. 2009
PART 4A: MED Foundations 7 (8h)
Morning (4h): 10:00-14:15
MODULE 29 (1,5h)— Ultimate Advanced Drills in Technique 1
Putting all the studied technique, knowledge and experience together to conduct the final advanced practice on combined features dancing to 2/4 RHYTHMS (DRILLS, COMBINATIONS, TRANSITIONS, DANCE SEQUENCES) as well as develop the necessary skills and foundation for the study of dance through improvisation and choreography.
MODULE 30 (1,5h)—ME Rhythms 5: 8/4 Rhythms
Learning and discerning the 8/4 time signature rhythms, such as: Wahda Kebira, Chiftetelli, Masmoudi Kebir, Bambi & their Interpretation in MED
MODULE 31 (1h)— MED History 4 (Latin dancers)
4th part of MED History overview, lives of dancers and video projections for style & costume analysis
Afternoon-Evening (4h): 16:00-20:15
MODULE 32 (2h)— Ultimate Advanced Drills in Technique 2
Putting all the studied technique, knowledge and experience together to conduct the final advanced practice on combined features dancing to 4/4 RHYTHMS (DRILLS, COMBINATIONS, TRANSITIONS, DANCE SEQUENCES) as well as develop the necessary skills and foundation for the study of dance through improvisation and choreography.
MODULE 33 (2h)—ME Rhythms 6: Other Times Signature Rhythms
Discerning the 3/4, 6/4, 3/8, 6/8, 5/8, 7/4, 7/8, 9/, 10/8 & 12/8 time signature rhythms, such as: Vals, Vals Kebir, Samai Ta’er, Dareg & Dareg Kebir, Nawakht, Dawr Hindi, Mosalas Iraqui, Ibrahimi, Karshilama, Samai Thaqil & their Interpretation in MED
Sunday, 18th Jan. 2009
PART 4B: MED Foundations 8 (8h)
Morning (4h): 10:00-14:15
MODULE 34 (4h)—Oriental Choreography (Part 1)
Choreographing an Oriental as a sample dance to see how specific music inspires specific movements and how the acquired fundamentals (the main core technique for Upper & Lower Body, Arm Technique, the Footwork Patterns & Travelling Steps, Spins & Turns, the knowledge of the Middle Eastern music principals and rhythms, etc.) can work together and have improved due to previous practical & theoretical study. Gradually introduced by breaking down each combination into the individual moves and the connecting transition, each sequence or musical phrase into ingredient combinations, drills and chaining, the full dance is finally constructed, reviewed in its structure and interpreted according to the music’s phrasing, energy and emotional charge.
Afternoon-Evening (4h): 16:00-20:15
MODULE 35 (3h)—Oriental Choreography (Part 2)
Completion of the choreography
MODULE 36 (1h)— MED History 5 (American dancers & modern fusions)
5th part of MED History overview, lives of dancers and video projections for style & costume analysis
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REGISTRATION DETAILS:
REGISTRATION FEES:
A: by PARTS: 280€ / 250€ BEFORE 10th Oct. PART 1; BEFORE 24th Oct. PART 2; BEFORE 14th Nov. PART 3; BEFORE 20 Dec. PART 4
B: FULL SECTION I (PARTS 1-4): 1.000€ / 900€ BEFORE 10th Oct. 2008
50/60/70% Discounts available for Teachers enrolling accompanied by 5/7/9 or more Students.
Registration includes:
OPTION A: Registration by Parts
—16h Training
—Didactic Materials (Contents of 8 Modules + 2 x 80-min. CDs)
OPTION B: Full 4 Weekend Course
—64h complete Section I Training: Parts 1—4
—Didactic Materials (Contents of 36 Módulos + 8 x 80-min. CDs)
REGISTRATION PROCEDURE:
Payable by (1) PayPal (www.paypal.com) to nigma@el-oasis.org or (2) bank transfer to Margaret Roman Kornet: (national transfer) La Caixa, 2100-4991-64-2100020791 / (international transfer) IBAN ES65-21004991642100020791 & SWIFT CAIXESBBXXX, indicating as a reference:
1-Sender: Student's Full Name
2-Concept: Training Madrid+ Part Number(s) (Ej: 1 or 1—4)
Please confirm your Transfer by e-mail to nigma@el-oasis.org and present your bank receipt before the workshop.
VENUE: “El-Oasis*Madrid",, Edificio de Ayuntamiento & Escuela Mayor de Danza (Town Hall & Major School of Dance Building), Nº2 Ribera de Curtidores St., 28005 Madrid (Spain); <Metro/Subway Station> La Latina (Line 5-Green)/Tirso Molina (Line 1-Blue) MAP
CONTACT: Nigma: (+34) 696 904 940
E-mail: nigma@el-oasis.org
Website: www.el-oasis.org, www.nigmabellydance.com |
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TRIBAL GUIDE
& "EL-OASIS" CERTIFICATION PROGRAM
Level 1 (24h)
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Solar Moves for Dynamic Music |
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Saturday & Sunday 20-21 Dec. 2008 (MADRID)
LEVEL 1 STAGE 1: TRIBAL TECHNIQUE 1 (ATS FORMAT) (12h)
Saturday 20 (11—14:00 & 16—19:00)
MODULE 1: Biomechanics of Tribal Movement 1
MODULE 2: Tribal Footwork Patterns & Travelling Steps 1
Sunday 21 (11—14:00 & 16—19:00)
MODULE 3: Tribal Arm Technique 1 (Solar Moves Framing)
MODULE 4: Solar Moves (Shimmies, Accents & Locks) in Tribal Duality 1
LEVEL1 STAGE1 Certificate will be granted only to Students who attend all 4 Modules. |
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Saturday & Sunday 31 Jan. —1 Feb. 2009 (MADRID)
LEVEL 1 STAGE 2: TRIBAL IMPROVISATION & CHOREOGRAPHY 1 (ATS FORMAT) (12h)
Saturday 31 (11—14:00 & 16—19:00)
MODULE 5 —Finger Cymbals for ATS 1 (Application with Solar Moves)
MODULE 6 —Improvisation & Dynamic Choreography Part 1: Solo Work
Sunday 1 (11—14:00 & 16—19:00)
MODULE 7 —Improvisation & Dynamic Choreography Part 2: Couple & Group Work
MODULE 8 —Improvisation & Dynamic Choreography Part 3: With Finger Cymbals
LEVEL1 STAGE2 Certificate will be granted only to Students who attend all 4 Modules and are holders of LEVEL1 STAGE1 Certificate. |
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TRIBAL GUIDE
& "EL-OASIS" CERTIFICATION PROGRAM
Level 2 (24h)
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Gaia Moves for Taqseem |
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Saturday & Sunday 14-15 Feb. 2009 (MADRID)
LEVEL 2 STAGE 1: TRIBAL TECHNIQUE 2 (ATS & TRIBAL FUSION FORMATS) (12h)
Saturday 14 (11—14:00 & 16—19:00)
MÓDULO 9: Biomechanics of Tribal Movement 2
MÓDULO 10: Tribal Arm Technique 2 (Gaia Moves Framing)
Sunday 15 (11—14:00 & 16—19:00)
MÓDULO 11: Tribal Footwork Patterns & Travelling Steps 2
MÓDULO 12: Gaia Moves (Undulations) in Tribal Duality 1
LEVEL2 STAGE1 Certificate will be granted only to the Students who attend all 4 Modules and are holders of LEVEL1 STAGES 1&2 Certificates. |
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Saturday & Sunday 7—8 Mar. 2009 (MADRID)
LEVEL 2 STAGE 2: TRIBAL IMPROVISATION & CHOREOGRAPHY 2 (ATS & TRIBAL FUSION FORMATS) (12h)
Saturday 7 (11—14:00 & 16—19:00)
MODULE 13—Gaia Moves (Undulations) in Tribal Duality 2
MODULE 14—Improvisation & Combinations of Gaia Moves
Sunday 8 (11—14:00 & 16—19:00)
MODULE 15—Taqseem Choreography Part 1: Solo Work
MODULE 16—Taqseem Choreography Part 2: Couple & Group Work
LEVEL2 STAGE2 Certificate will be granted only to the Students who attend all 4 Modules and are holders of LEVEL1 STAGES 1&2 and LEVEL2 STAGE1 Certificates.
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REGISTRATION DETAILS:
REGISTRATION FEES :Matrícula General: Matrícula Anticipada:
General Fees: Early Bird Registration:
Each Complete Stage (12h): 180€ / 160€
Each Complete Level (Stages 1+2) (24h): 340€ / 300€
SPECIAL OFFER: Levels 1+2 (24h): 630€ / 580€
1 Module (3h): 60€ / 50€
2 Modules (6h): 100€ / 90€
3 Modules (9h): 140€ / 125€
50/60/70% Discounts available for Teachers enrolling accompanied by 5/7/9 or more Students.
Early Bird Registration Deadlines:
Level 1+2 Special Offer, Complete Level 1 or Level 1 Stage 1: BY 5 December 2008*
Level 1 Stage 2: BY 16 January 2009*
Complete Level 2 or Level 2 Stage 1: BY 30 January 2009*
Level 2 Stage 2: BY 20 February 2009*
REGISTRATION PROCEDURE:
Payable by (1) PayPal (www.paypal.com) to nigma@el-oasis.org or (2) bank transfer to Margaret Roman Kornet: (national transfer) La Caixa, 2100-4991-64-2100020791 / (international transfer) IBAN ES65-21004991642100020791 & SWIFT CAIXESBBXXX, indicating as a reference:
1-Sender: Student's Full Name
2-Concept: TRIBAL Madrid+ Modules (E.g.: 1—4 or 1—8 or 1—16)
Please confirm your Transfer by e-mail to nigma@el-oasis.org and present your bank receipt before the workshop.
VENUE: “El-Oasis*Madrid",, Edificio de Ayuntamiento & Escuela Mayor de Danza (Town Hall & Major School of Dance Building), Nº2 Ribera de Curtidores St., 28005 Madrid (Spain); <Metro/Subway Station> La Latina (Line 5-Green)/Tirso Molina (Line 1-Blue) MAP
CONTACT, INFORMATION & REGISTRATION: Nigma
Ph: (+34) 696 904 940
E-mail: nigma@el-oasis.org
Website: www.el-oasis.org, www.nigmabellydance.com |
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HOTELS:
Close to "El-Oasis*Madrid" & Escuela Mayor de Danza (Major School of Dance)
Single Rooms : 25—36—48€
Double Rooms: 36-50—60€
Triple Rooms: 48—70—90€
Hostal Lauria** C/Gran Vía,
50—4º
Tel: 91-541 9182 <M> Callao
hostallauria@hotmail.com www.geocities.com/hostallauria
Hostal Castilla II** C/Marqués
Viudo de Pontejos, 2—1º
Tel: 91-532 57 38 / 77 66 <M> Sol, La Latina
info@hostalcastilla.com www.hostalcastilla.com
Hostal Sta. Cruz** Pza. Sta.Cruz,
6—2º
Tel: 91-522 24 41 <M> Sol, La Latina
info@hostalsantacruz.com www.hostalsantacruz.com
Hostal Madrid** C/Esparteros, 6—2º
Tel: 91-522 0060 <M> Sol, La Latina
hs@hostal-madrid.info www.hostal-madrid.info
Hostal Margarita** C/Gran Vía,
50—5º <M> Callao
Tel: 91-547 3549
Hostal Excelsior** C/Gran Vía,
50—2º <M> Callao
Tel: 91-547 3400 /09
Hostal Gala* C/Costanilla de los
Ángeles, 15—2º
Tel: 91-559 2621 <M> Sto. Domingo, Callao
Hostal Callao* C/Preciados,
35—3ºDcha
Tel: 91-542 0067 / 541 0151 <M> Callao, Sto. Domingo |
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Class Schedule (Course 2006/07): |
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Precios de clase (Curso 2006/07): |
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Matrícula: 15 € concede el derecho
a la plaza (pago independiente de las mensualidades)
Precio base: 10 €/hora
Si
desea tomar una primera clase de prueba, sin comprometerse al pago
y la asistencia de todo el mes, abonará el precio de clase
suelta en función de su duración y respetando el precio
base, ej.: Clase del Tribal: 1,5h — 15€, Niveles 1, 2,
3 y 4 de Técnica y Coreografía: 2h-20 €, Clases
quincenales de sábados: 3h-30€. Es necesario participar
en la clase completa, desde su comienzo hasta su final.
Descuentos dentro del sistema de mensualidades:
| 1
hora/semana |
4 horas/mes |
Total mes 40€ |
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| 1,5 horas/semana |
6 horas/mes |
Total mes 55€ |
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| 2 horas/semana |
8 horas/mes |
Total mes 65€ |
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| 2,5 horas/semana |
10 horas/mes |
Total mes 85€ |
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| 3 horas/semana |
12 horas/mes |
Total mes 95€ |
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| 3,5 horas/semana |
14 horas/mes |
Total mes 110€ |
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| 4 horas/semana |
16 horas/mes |
Total mes 125€ |
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| 4,5 horas/semana |
18 horas/mes |
Total mes 140€ |
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| 5 horas/semana |
20 horas/mes |
Total mes 155€ |
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| 5,5 horas/semana |
22 horas/mes |
Total mes 170€ |
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| 6 horas/semana |
24 horas/mes |
Total mes 185€ |
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FORMA DE PAGO:
Para reservar la plaza es necesario hacer un ingreso o
transferencia bancaria a nombre de Margaret Roman Kornet, La
Caixa: 2100-4991-64-2100020791 indicando como referencia:
1-Nombre completo de la alumna.
2-Concepto: Nivel + día de la semana.
Avisar antes del ingreso llamando al teléfono de la Escuela
para
confirmar la plaza.
Contacto:
nigma@el-oasis.org . Tfno: 669 753 269
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Normas de la Escuela: |
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El Curso dura desde principio o mediados
de Septiembre (dependiendo del curso) hasta finales de Junio y se
compone de clases regulares semanales o quincenales de sábados.
Los Cursos Intensivos de Verano
duran 3 semanas desde la finalización del Curso
hasta mediados del mes de Julio. Son opcionales para las alumnas
de la Escuela y abiertas para cualquier persona ajena a la misma.
El objetivo y el compromiso
de la Escuela es el disfrute de sus alumnas, la aportación
a su salud y bienestar, la calidad de la enseñanza y el progreso
en el aprendizaje del milenario arte de la Danza del Vientre
Por tanto, el sistema
de trabajo de la Escuela es riguroso e intenso, por lo que requiere
compromiso, asistencia sistemática
y puntualidad para no retrasar el ritmo de trabajo de todo el grupo.
Por tanto, nuestro sistema de trabajo es incompatible con asistencia
esporádica a clase.
Se ruega puntualidad no solo por cortesía,
sino también para no perderse la parte de la clase dedicada
a relajación, calentamiento y estiramiento, imprescindible
para preparar su cuerpo y mente
para la sesión.
Recuperaciones:
En caso de ausencia a clase por cualquier
causa personal, se permite la recuperación de una sola clase
al mes de cada uno de los módulos en que la alumna esté
matriculada.
Ofrecemos la posibilidad de
realizar la recuperación en cualquier momento a lo largo
del curso, excepto durante los cursos intensivos.
Es necesario encontrarse al
corriente de pago para acceder al derecho de recuperación
de clase.
Se ruega solicitar fecha de recuperación individual para
evitar un exceso de alumnas en clase. A las personas que llegan
sin avisar se le puede negar la entrada en clase si la sala esta
llena.
A cualquier alumna que llega empezado el curso, se le aconsejará
recuperar las clases perdidas para ponerse al día.
Se
recuperarán además todas las clases suspendidas por
fiestas o puentes mediante:
a) una recuperación
conjunta un viernes con
el consentimiento previo de todas las alumnas.
b) recuperaciones individuales dentro los otros
horarios existentes de la escuela.
Concesión de Plazas
a las alumnas nuevas: Una vez realizada la clase de
prueba, que se puede abonar excepcionalmente como clase suelta,
se le concede una plaza en un grupo determinado, elegido de acuerdo
con su preferencia horaria y el consejo técnico de la profesora
acerca del nivel. La conservación de la plaza asignada depende
de la asistencia sistemática a clase. Si una alumna nueva
llega empezado el curso se le aconsejará recuperar las clases
perdidas para ponerse al día.
Concesión de Plazas
a las alumnas antiguas:
Al iniciarse el curso nuevo, se les concederá la plaza según
el orden de las llamadas y reservas. Lo único que garantiza
la conservación de la plaza es la asistencia a clase desde
los comienzos del curso (a mediados de Septiembre) o el compromiso
a recuperar las clases perdidas.
Forma de Pago: Se efectuaran pagos en forma
de mensualidades, nunca por clases sueltas, excepto la clase de
prueba, la cual será descontada de la primera mensualidad
si la alumna decide solicitar plaza en un grupo.
Los pagos se abonarán
al inicio de cada periodo de pago, cada cuatro semanas exactas,
antes de entrar en la primera clase del mes. En caso de no haber
hecho efectiva por cualquier causa la mensualidad, hay que solicitar
permiso expreso para entrar en clase y comprometerse al pago de
la mensualidad.
Planificación del Curso:
El desarrollo del curso está estructurado, no en meses naturales,
sino en meses simbólicos de 4 semanas exactas para respetar
el mismo número de horas de clase por grupo dentro de cada
periodo de pago.
Las clases quincenales de sábados se imparten por meses completos
(2 clases de 3h al mes) a partir de Septiembre hasta finales de
Junio y su cuota mensual es de 55€.
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